Gardens, when we travel
"I trust your Garden was willing to die ... I do not think that mine was—it perished with beautiful reluctance, like an evening star—"
Emily Dickinson, in a letter to
her Aunt Katie Sweetser, 1880
I stand perplexed, not knowing what to
do with the few plants I had on the terrace of this house where I lived for some
years now. So few, they somehow grew so beautifully in their respective
containers without any special care. After a period of winter hibernation, most of them have
come back with full vigor. During my short trips out of the city, some inevitably
faded while others survived with incredible spirit. Time to leave the
place once again, this time for a long time, may be. I say ‘may be’ because
every time when I shifted out of this city in a definitive tone, I returned to
it with equal speed. The city which saw more than half of my life’s doings…So,
let me suffix it with a ‘may be’ this time, in all humility.
There were gardens always, wherever
I lived. On the terrace, in the balcony, and wherever one could have them in
the kind of flats one got to live. Bamboos to jasmines to shoe flowers…from
Kishan Garh to Munirka to Khel Gaon…
This time, I am left with a paarijaat - my
ever-fresh crush, a basil plant which Daya Bai brought from her travels abroad,
shoe flowers which I got from a nursery, krishna thulasi, which mother got from
Kerala and the geraniums which have burst out of Neruda’s pages…and,
some nameless plants with nameless little flowers which grew out of who knows
from where…
The champa suffered a gradual death as my friend tried to
transplant her from fantasy to reality. After a few days of struggle with the change
of circumstances and rough handling, she gave up the fight. With the umbilical
cord cut from the earth and the stems dried up, the golden flowers fell back
into the womb and the honey bees moved onto the next flower. A bird alone sings
her life story from the dark branch of the white floss silk tree outside the
compound wall.
...................
The way my mother keeps her garden in Channanikkadu, my birthplace in Kerala, is something very special. She doesn’t plant much and she doesn’t plan much, she just lets the natural vegetation grow. Once in a while, she would get a sapling or a seed of a plant, the flower of which, the fruit of which, the leaves or the stem or the root of which, she must have found tempting. But, that kind of selection happens very rarely. Otherwise, it is all a wild growth…You open any outer window of the old little house in Channani, as the pet name of the place goes, it opens into the wild jungle!
...................
The way my mother keeps her garden in Channanikkadu, my birthplace in Kerala, is something very special. She doesn’t plant much and she doesn’t plan much, she just lets the natural vegetation grow. Once in a while, she would get a sapling or a seed of a plant, the flower of which, the fruit of which, the leaves or the stem or the root of which, she must have found tempting. But, that kind of selection happens very rarely. Otherwise, it is all a wild growth…You open any outer window of the old little house in Channani, as the pet name of the place goes, it opens into the wild jungle!
Channanikkadu, I think, is derived from Chandana kadu,
meaning the forest of sandal wood. This is the place where I was born and lived
until the age of four before we traveled to Kozhikode as my parents got a
transfer to work there. My earliest memory of my birthplace does not have a
single sandalwood tree though. Instead, intense smelling jasmines in a
breathtaking variety flowered and faded in me in a cyclical order. Central to our front yard and to our childhood memories was the paarijaat
tree which stood like a small dotted green hill on which every rainfall brought
down a thousand little stars of white fragrance….when we returned to Channani again
after four years, the paarijaat welcomed us in youthful grandeur.
Few years later, our elder cousin who worked in the forest
department gifted three sandalwood saplings to three of us youngsters and said, “They
belong to the nation, you’re not allowed to cut them or sell them, understand?”
We trembled in utter obedience of this national symbolism and we secretly
watched them growing from afar, from under the generous shade of the paarijaat...
Bye for now, till we meet again and I shall take you to the black dog who loved white lilies.
Sreekala Sivasankaran
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